“What can you offer me?”
His voice seemed
prepared with a kind of sterility.
“Well, I can bring a number of things to the table,” she
said. The metaphor wasn’t all together inaccurate. Her hands were pressed into
the pine surface, right hand over the other, as if the left hand was unwired
and attempting to do something dangerous. There was also a pen, half-gutted of
ink and a slightly creased promotional flyer. The creases seemed to coordinate
to those in her brow, half-filled with a powder which added a sense of
thickness to her face. It had weighed on her skull to long, she thought, the
impulse always flickering, flickering, in the wish to unzip her skin and flee.
But she had put out her best today too.
For there she offered her ware, jewellery. She laid out the first to him at eye-level,
so they captured the light, his gaze, in all the right places. Those two discs
of milky porcelain, confessing to a kind of weakness people were so keen to
capture.
“My mother made these,” she said slowly “Real antiques, you
could call them, they’ve been through a
lot.”
Yet with not even a finger-press she illustrated the opening
and closing of their clasps – and
announced “Of course, still immaculate.”
They glinted and glittered as she managed to hold them up,
and he watched their curves fight with the infestation of light. In his ideals,
perhaps, they looked like droplets of pearl – but how could he be sure? The way
the light seemed to fizz within them made him unsure, almost uneasy. There was
something uneasy about their beauty, like an expensive marble undercut with
impurity.
But perhaps he was looking for something more versatile.
Raising up those uncomfortable hands, she spread out a
chain. Initially, it appeared only a silvery thinness, like a shot
of steam before it disperses into warmth. Yet it grew she unravelled it. Within
the space of seconds it seemed to swell marvellously, exposing shimmering links of rose- gold which seemed
to almost have a liquidity to them. Perhaps she was tired of selling or digging
for a darker humour, something
instinctive, as she drew the chain upwards and downwards, contracted it,
struggled to hold it stationary. It was like a game in which a child plays with
an imaginary snake – there is no danger, only flickering movement and the hope
of the moment to be more enhanced than
it actually is.
She was to an extent indifferent as to whether he would take up her offer on the jewellery - whether he would hand the akin-polished coins or well-coarsed card over.
For they stayed there for the next customer, the next
customers – the eyes and the smile, their slight, saleslike movement. Sometimes
people would accept them as an offer.
But they always took
them, anyway.
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